#FIB-RW-23000179Reading & Writing: Fill in the BlanksCore & AcademicMedium

Shakespeare

Official Question Material
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There has been a great variety [blank] critical approaches to Shakespeare's work since his death. During the 17th and 18th century, Shakespeare was both admired and condemned. [blank] then, much of the adverse criticism has not been considered relevant, although certain issues have continued to interest critics throughout the years. For instance, charges against his moral propriety [blank] made by Samuel Johnson in the 18th century and by George Bernard Shaw in the 20th.Early criticism was directed primarily at questions of form. Shakespeare [blank] criticized for mixing comedy and tragedy and failing to observe the unities of time and place prescribed [blank] the rules of classical drama. Dryden and Johnson were among the critics claiming that he had corrupted the language with false wit, puns, and ambiguity. [blank] some of his early plays might justly be charged with a frivolous use of such devices, 20th-century criticism has tended to praise their use in later plays as adding depth and resonance of meaning.

Sample Answer & Audio Transcript

There has been a great variety of critical approaches to Shakespeare's work since his death. During the 17th and 18th century, Shakespeare was both admired and condemned. Since then, much of the adverse criticism has not been considered relevant, although certain issues have continued to interest critics throughout the years. For instance, charges against his moral propriety were made by Samuel Johnson in the 18th century and by George Bernard Shaw in the 20th.Early criticism was directed primarily at questions of form. Shakespeare was criticized for mixing comedy and tragedy and failing to observe the unities of time and place prescribed by the rules of classical drama. Dryden and Johnson were among the critics claiming that he had corrupted the language with false wit, puns, and ambiguity. While some of his early plays might justly be charged with a frivolous use of such devices, 20th-century criticism has tended to praise their use in later plays as adding depth and resonance of meaning.
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